Blue Eyed Andy Warhol (Karen Bystedt x Defer)
This is an original collaboration between Andy Warhol photographer Karen Bystedt and prominent street artist Defer. Karen has blazed the art world with her vision "ANDY GOES STREET," featuring her Andy Warhol Wheatpaste Stencils, Mural and Canvas/Print collaborations with different street artists. Bisco is a musician turned artist, who often incorporates words, lyrics and poems into his hand style paintings.
Materials and Dimensions:
Karen Bystedt x Defer
Metallic Paint and Blue Dust on Canvas
40" x 40"
About Karen Bystedt:
Karen Bystedt, founder and photographer of The Lost Warhols brings to life one of the greatest art icons of the twentieth century. Shot at 'The Factory' in New York City, Bystedt was a student at NYU, working on a book on the top male models of the era, when she cold called Andy Warhol. Andy himself answered the phone and agreed to a rare sitting with Bystedt in the conference room at 'The Factory'.
Bystedt went on to publish four books. Having found the negatives in 2011, long lost since the initial shoot in 1982, in Andy's spirit, Bystedt has began collaborating with some of the great artists in the street and pop art genres of today including Peter Tunney, Speedy Graphito, Gregory Siff, Dom Pattinson and Chris Brown aka Konfuzed.
Permanent collections of the Lost Warhols may be found at The Andy Warhol Museum, the Armenian Museum of Modern Art, the Hearst Foundation, the Lourdes Foundation and in the private collections of Prince Albert of Monaco, Tomoasso Buti, George Lopez, David Caruso and the Dean Collection (Swizz Beats) among others. With Murals located in Los Angeles, California as well as Houston, Texas.
DEFER amalgamates the urban landscape and the realm of fine art. Alex Kizu, aka DEFER, transcends his youth in Boyle Heights to share the influences of true street art within his own murals, canvases and prints.
As a pioneer member of the first generation of LA Graffiti crews, K2S, STN and KGB, Kizu’s influence on the Los Angeles graffiti movement is profound. Edified by early New York graffiti, and more importantly, the neighborhood “placaso” style, indigenous to LA; Defer culminates these experiences to define a unique native genre.
DEFER’s typographic work is viewed as lyrical and beautiful. Also known as a handstyle, this specific expression speaks to the credibility of the original graffiti crews in Los Angeles and now bridges to a larger audience. Currently Defer creates paintings that incorporate Japanese images with his handstyle resulting in exquisite art.